Welcome to Photo Series 3: Photography in the Abstract! Last week we looked at Silhouettes Part 1: Humans and Non-Buildings. Today we’re going to look at how buildings and the sky interact in silhouette photography. It might seem strange to talk about the sky (the non-silhouette) in an article about silhouette photography. But, unlike with human silhouettes, building silhouettes are always composed against the sky. Up. The sky is half of the picture.
And the building is the other half. Therefore, I have a small conundrum. I need to examine two independent parts of a photo: the building and the sky. I could judge which part is more important/prototypical for a given photo and then choose that bucket (building or sky) for that photo. 1 photo, 1 bucket. It’s what I’ve done in the past in classifying my photography. Or I could show each photo twice, once by building and then by again sky. Neither option is great. The first ignores a crucial part of each picture and the second is too repetitive. Instead, I’ll classify pictures by building during your scroll down. At the bottom, I’ll tell you a couple defining features of sky. Then you can scroll back up, looking for those features, scavenger hunt style. Sound good? Cool. Again, the question I ask is:
What are the ways you can use silhouettes to take great building photography?
Some buildings outlines are just cool.
Towards a Vanishing Point
Classic perspective technique. Big to small. Nice angles.
Buildings are built by humans and we love symmetry.
Geometric Shapes Combined
Besides skyscrapers, buildings are rarely just a box. Instead, they are the combination of multiple geometric shapes (like tangrams).
Building Adornment Pop
Cool buildings have cool adornments on their corners. Think gargoyles.
Building silhouettes are usually solid swaths of black (see all categories above). This category contains buildings (or parts of buildings) where this is not the case, where there’s sky inside.
The Sky Is Up
Now that we’re done with classifying building silhouettes, it’s time to scroll back up, looking at the sky rather than the silhouette. But before we do that, I want to say that I especially enjoyed writing today’s article. Structuring the two-featured pictures was probably my most difficult problem thus far in my writing. I think my solution (scroll down, scroll up) is fine, but not great. Wish I had the time to code the webpage such that text appeared different on the way down than on the way up. Alas. Let me know if you liked this system! (Though you will need to scroll back down to do so.)
On your way up, look for varying degrees of sun in the sky. At the most extreme, you can see the full disc of the sun. In pictures with less intense sky, the sun is hidden by some object, making its glow the defining feature of the sky. In the least extreme case, the sun is off camera providing a light-to-dark gradient across the sky. In essence, look for: sun disc, sun glow, sun gradient. Enjoy!